{"id":7709,"date":"2016-04-28T12:41:00","date_gmt":"2016-04-28T12:41:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=7709"},"modified":"2023-03-06T10:12:12","modified_gmt":"2023-03-06T10:12:12","slug":"sound-and-fury-anri-sala-at-the-new-museum","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/sound-and-fury-anri-sala-at-the-new-museum\/","title":{"rendered":"Sound and Fury: Anri Sala at the New Museum"},"content":{"rendered":"\n

by Wendy Vogel

\u201cAnri Sala: Answer Me\u201d<\/a><\/strong><\/p>\n\n\n\n

New Museum<\/strong><\/a> (235 Bowery, New York, NY 10002, USA), Feb 3\u2013Apr 10, 2016<\/strong><\/p>\n\n\n\n

Contemporary artists can work with sound in two ways: as material and as a subject of cultural history. The material approach\u2014aka sound art\u2014was for a long time marginalized in museum settings. Today it flourishes as a genre with roots in experimental music, site-specific installation, and performance. The cultural history of sound spans both music and language, from album-art appropriation and pop ephemera to works dealing with the subject of translation. Anri Sala (b. 1974, Tirana, Albania), has explored historical memory and notions of utopia since the late 1990s, when he produced a video with his mother that reflected on her role in an Albanian communist youth organization. The artist has increasingly turned to sound as both material and subject in his recent multimedia installations. \u201cAnswer Me\u201d, Sala\u2019s solo exhibition at the New Museum, contextualizes his two-decade career through his sonic preoccupations.<\/p>\n\n\n\n

Indeed, the design of the exhibition\u2014Sala\u2019s largest survey in the U.S. to date\u2014privileges a symphonic experience. Rather than a chronological overview, the show is organized around immersive installations that have been configured especially for the site. These artworks occupy prime real estate on three floors, opposite the elevator banks. Sculptural works and earlier videos reside in smaller, more peripheral spaces. There are practical reasons for these display decisions. Still, they notably reverse the logic of museum presentation, which often relegates complicated sonic art to stairwells and back corners.<\/p>\n\n\n\n

It is striking to see Sala\u2019s early, lo-fi videos alongside his recent high-production efforts. In the 1990s and 2000s, the Albanian artist became known for poetic explorations of life in post-Communist Europe. Along with artists like Harun Farocki, Omer Fast and Deimantas Narkevicius, Sala experimented with the documentary form itself. \u201cIntervista\u201d (1998, showing on Wednesdays in the New Museum\u2019s basement) concerns Sala\u2019s rediscovery of decades-old silent footage of his mother being interviewed in her former position as secretary of Albania\u2019s Communist Youth Alliance. Sala worked with lip-readers to subtitle the film, which he then shows to his mother onscreen. She proclaims both her syntax and strict ideology \u201cgibberish,\u201d stressing the importance of doubt when confronting political dogma. \u201cDammi i Colori\u201d (2003), perhaps Sala\u2019s best-known work, documents an avant-garde intervention by Tirana\u2019s then mayor Edi Rama. Trained as an artist, Rama initiated a plan to paint bright, colorful passages on buildings in a neighborhood long neglected by the government. The footage is mostly filmed outside a car window, with Rama (now Albania\u2019s prime minister) narrating beside Sala.<\/p>\n\n\n\n

\"\"<\/a>
\u201cUnravel\u201d, 2013. Installation view: \u201cAnri Sala: Answer Me,\u201d New Museum. Courtesy Galerie Chantal Crousel, Paris; Marian Goodman Gallery; Hauser & Wirth; and kurimanzutto, Mexico City. Photo: Maris Hutchinson \/ EPW Studio.<\/figcaption><\/figure>\n\n\n\n

\u201cL\u00e0k-kat 2.0 (British\/American)\u201d (2015), a stark but powerful work, addresses the colonial legacy in Senegal. In the two-channel video, which expands a 2004 version of the same piece, Wolof schoolboys are instructed to repeat words signifying variations of \u201clight\u201d and \u201cdark.\u201d Subtitles on each screen (by Homi K. Bhabha and Hywel Williams) depict conflicting translations: one includes more straightforward definitions, the other more racially loaded interpretations. The quasi-sadistic exercise of rote repetition\u2014interspersed with images of moths clustered against an artificial light\u2014performs a potent illustration of insidious colonial imprinting.<\/p>\n\n\n\n

Sound becomes more abstract and sublime in Sala\u2019s newer installations in which it acts as a distancing mechanism, highlighting the impossibility of communicating or of collapsing temporal moments. In \u201cAnswer Me\u201d (2008), screened on the third floor as part of a loop, a woman and man attempt to converse in a geodesic structure built in Teufelsberg, outside Berlin, to house Cold War-era NSA operations. Each time the woman (who stands in as a signifier of gender-based oppression) tries to speak, the man pounds furiously on a snare drum; her pleas of \u201cAnswer me!\u201d become the only comprehensible words.<\/p>\n\n\n\n

Sala\u2019s most recent installations address avant-garde composers and the devastating world wars. \u201cRavel Ravel\u201d and \u201cUnravel\u201d, both 2013, take the French composer Maurice Ravel\u2019s \u201cPiano Solo for the Left Hand in D-major\u201d\u2014composed for the wounded Austrian pianist Paul Wittgenstein\u2014as a point of departure. The work was commissioned to represent France at the Venice Biennale, but was installed in the German pavilion. For \u201cRavel Ravel\u201d, Sala arranged the piece for two different pianists at slightly different tempos, who he then filmed. When screened together in a room with semi-anechoic properties, the synched films seem to produce an echo, as the players\u2019 compositions temporally drift. \u201cUnravel\u201d, screened in an adjacent space, documents a DJ emulating the score at a turntable setup, manually speeding up or slowing down two LPs to match the score.<\/p>\n\n\n\n

\u201cThe Present Moment (in B-flat)\u201d and \u201cThe Present Moment (in D)\u201d (2014), a two-channel video and sound installation first shown at Haus der Kunst, considers the avant-garde in the context of Nazi architecture. In Haus der Kunst, a palace built for art approved by the Third Reich, Sala staged two concerts of \u201cdegenerate\u201d Viennese-Jewish composer Arnold Schoenberg\u2019s late Romantic string sextet \u201cVerkl\u00e4rte Nacht.\u201d In each video, the musicians play the entire composition with only B-flat or D notes, which are stretched throughout twenty speakers throughout the space according to Schoenberg\u2019s later serial composition rules. The cacophonous aural experience, mimicking Schoenberg\u2019s twelve-tone technique where each note on the chromatic scale is heard an equal number of times, is complemented by snare drum sculptures whose sticks tremble occasionally, as though haunted by history.<\/p>\n\n\n\n

Verging on bombastic, the installation perhaps asks too much of both the artist and the viewer. In order to fully appreciate this work, one needs not only knowledge of 20th<\/sup>-century architecture, avant-garde music and art, but also a rapt attention span and an ear primed to parse Sala\u2019s sonic tricks of the trade. The method epitomizes Sala\u2019s desire to have it all. He strives in equal measure to be aesthetically generous and conceptually demanding, to make sound an equivalent material and concept. It\u2019s a noble goal for any artist. But as the earlier works in this exhibition make clear, sometimes it is not necessary to turn up the volume. Unless, of course, you want to make a lot of noise.<\/p>\n\n\n\n

\"\"
\u201cRavel Ravel\u201d, 2013. Installation view: \u201cAnri Sala: Answer Me,\u201d New Museum. Courtesy Galerie Chantal Crousel, Paris; Marian Goodman Gallery; and Hauser & Wirth. Photo: Maris Hutchinson \/ EPW Studio<\/figcaption><\/figure>\n\n\n\n
\"\"
\u201cAnswer Me\u201d, 2008. Installation view: \u201cAnri Sala: Answer Me,\u201d New Museum. Courtesy Marian Goodman Gallery; Hauser & Wirth; Johnen Galerie, Berlin; Galerie R\u00fcdiger Sch\u00f6ttle, Munich; and Galerie Chantal Crousel, Paris. Photo: Maris Hutchinson \/ EPW Studio<\/figcaption><\/figure>\n\n\n\n
\"\"
\u201cTitle Suspended (Sky Blue)\u201d, 2008. Installation view: \u201cAnri Sala: Answer Me,\u201d New Museum. Courtesy Hauser & Wirth. Photo: Maris Hutchinson \/ EPW Studio<\/figcaption><\/figure>\n\n\n\n
\"\"
\u201cUntitled (corner)\u201d, 2004. Installation view: \u201cAnri Sala: Answer Me,\u201d New Museum. Courtesy Hauser & Wirth. Photo: Maris Hutchinson \/ EPW Studio<\/figcaption><\/figure>\n\n\n\n
\"\"
Anri Sala, \u201cStill life in the Doldrums (d\u2019apr\u00e8s C\u00e9zanne)\u201d, four hand-painted human skulls, altered snare drum, carved American Maple drumsticks, altered snare stand, loudspeaker parts, and mono sound, 110 x 56 x 41 cm, 7:18 min, 2015. Maja Hoffmann \/ LUMA Foundation Photo: Maris Hutchinson \/ EPW Studio<\/figcaption><\/figure>\n\n\n\n
\"\"
Anri Sala, \u201ctime after time\u201d, single-channel video, stereo sound, color, 5:26 min, 2003. Courtesy Bick Productions Photo: Maris Hutchinson \/ EPW Studio<\/figcaption><\/figure>\n\n\n\n
\"\"
Anri Sala, \u201cLong Sorrow\u201d, super 16mm film transferred to single-channel HD video, stereo sound, color, 2005, 12:57 min. Produced by Fondazione Nicola Trussardi, Milan Courtesy Marian Goodman Gallery; Hauser & Wirth; Galerie Chantal Crousel, Paris; Johnen Galerie, Berlin; and Galerie R\u00fcdiger Sch\u00f6ttle, Munich Photo: Maris Hutchinson \/ EPW Studio<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

by Wendy Vogel\u201cAnri Sala: Answer Me\u201d New … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":7758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[992,3840,3838,3841,3356,3839,3842,3843,3844,3845,3846],"yoast_head":"\nSound and Fury: Anri Sala at the New Museum - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sound and Fury: Anri Sala at the New Museum - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"by Wendy Vogel\u201cAnri Sala: Answer Me\u201d New … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-28T12:41:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-06T10:12:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/20000x1080x1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1441\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"Sound and Fury: Anri Sala at the New Museum\",\"datePublished\":\"2016-04-28T12:41:00+00:00\",\"dateModified\":\"2023-03-06T10:12:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/\"},\"wordCount\":1264,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"Anri Sala\",\"Answer Me\",\"New Museum\",\"Sound art\",\"video art\",\"Wendy Vogel\",\"\u56de\u5e94\u6211\",\"\u58f0\u97f3\u827a\u672f\",\"\u5b89\u5229\u00b7\u8428\u62c9\",\"\u65b0\u5f53\u4ee3\u827a\u672f\u535a\u7269\u9986\",\"\u89c6\u9891\u827a\u672f\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/\",\"url\":\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/\",\"name\":\"Sound and Fury: Anri Sala at the New Museum - \u71c3\u70b9 Ran Dian\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/#website\"},\"datePublished\":\"2016-04-28T12:41:00+00:00\",\"dateModified\":\"2023-03-06T10:12:12+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/#breadcrumb\"},\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sound and Fury: Anri Sala at the New Museum\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.randian.art\/#website\",\"url\":\"http:\/\/www.randian.art\/\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"description\":\"art magazine\",\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.randian.art\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"zh-TW\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.randian.art\/#organization\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"url\":\"http:\/\/www.randian.art\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"contentUrl\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"width\":761,\"height\":118,\"caption\":\"\u71c3\u70b9 Ran Dian\"},\"image\":{\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\",\"name\":\"Lien\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"caption\":\"Lien\"},\"sameAs\":[\"http:\/\/www.randian.art\"],\"url\":\"http:\/\/www.randian.art\/zh-hant\/author\/lien\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sound and Fury: Anri Sala at the New Museum - \u71c3\u70b9 Ran Dian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/","og_locale":"zh_TW","og_type":"article","og_title":"Sound and Fury: Anri Sala at the New Museum - \u71c3\u70b9 Ran Dian","og_description":"by Wendy Vogel\u201cAnri Sala: Answer Me\u201d New … Continue reading →","og_url":"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/","og_site_name":"\u71c3\u70b9 Ran Dian","article_published_time":"2016-04-28T12:41:00+00:00","article_modified_time":"2023-03-06T10:12:12+00:00","og_image":[{"width":1441,"height":1080,"url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/20000x1080x1.jpg","type":"image\/jpeg"}],"author":"Lien","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Lien","\u9810\u4f30\u95b1\u8b80\u6642\u9593":"8 \u5206\u9418"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/#article","isPartOf":{"@id":"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/"},"author":{"name":"Lien","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb"},"headline":"Sound and Fury: Anri Sala at the New Museum","datePublished":"2016-04-28T12:41:00+00:00","dateModified":"2023-03-06T10:12:12+00:00","mainEntityOfPage":{"@id":"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/"},"wordCount":1264,"commentCount":0,"publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"keywords":["Anri Sala","Answer Me","New Museum","Sound art","video art","Wendy Vogel","\u56de\u5e94\u6211","\u58f0\u97f3\u827a\u672f","\u5b89\u5229\u00b7\u8428\u62c9","\u65b0\u5f53\u4ee3\u827a\u672f\u535a\u7269\u9986","\u89c6\u9891\u827a\u672f"],"articleSection":["Reviews"],"inLanguage":"zh-TW","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/#respond"]}]},{"@type":"WebPage","@id":"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/","url":"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/","name":"Sound and Fury: Anri Sala at the New Museum - \u71c3\u70b9 Ran Dian","isPartOf":{"@id":"http:\/\/www.randian.art\/#website"},"datePublished":"2016-04-28T12:41:00+00:00","dateModified":"2023-03-06T10:12:12+00:00","breadcrumb":{"@id":"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/#breadcrumb"},"inLanguage":"zh-TW","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.randian.art\/sound-and-fury-anri-sala-at-the-new-museum\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/"},{"@type":"ListItem","position":2,"name":"Sound and Fury: Anri Sala at the New Museum"}]},{"@type":"WebSite","@id":"http:\/\/www.randian.art\/#website","url":"http:\/\/www.randian.art\/","name":"\u71c3\u70b9 Ran Dian","description":"art magazine","publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.randian.art\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"zh-TW"},{"@type":"Organization","@id":"http:\/\/www.randian.art\/#organization","name":"\u71c3\u70b9 Ran Dian","url":"http:\/\/www.randian.art\/","logo":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/","url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","contentUrl":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","width":761,"height":118,"caption":"\u71c3\u70b9 Ran Dian"},"image":{"@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb","name":"Lien","image":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/person\/image\/","url":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","contentUrl":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","caption":"Lien"},"sameAs":["http:\/\/www.randian.art"],"url":"http:\/\/www.randian.art\/zh-hant\/author\/lien\/"}]}},"_links":{"self":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/7709"}],"collection":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/comments?post=7709"}],"version-history":[{"count":1,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/7709\/revisions"}],"predecessor-version":[{"id":7751,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/7709\/revisions\/7751"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media\/7758"}],"wp:attachment":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media?parent=7709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/categories?post=7709"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/tags?post=7709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}