{"id":7819,"date":"2013-12-10T13:11:00","date_gmt":"2013-12-10T13:11:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=7819"},"modified":"2022-12-17T13:14:04","modified_gmt":"2022-12-17T13:14:04","slug":"hysteria-metaphorical-and-metonymical-life-world","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/hysteria-metaphorical-and-metonymical-life-world\/","title":{"rendered":"Hysteria Metaphorical and Metonymical Life-World"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/hysteria-metaphorical-and-metonymical-life-world-solo-exhibition-of-chen-xiaoyun\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Cheng Xiaoyun Solo Exhibition: Hysteria Metaphorical and Metonymical Life-world<\/strong><\/a><strong><\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.randian-online.com\/np_space\/a4-contemporary-arts-center\/\" target=\"_blank\" rel=\"noreferrer noopener\">A4 Contemporary Arts Center<\/a>&nbsp;<\/strong>(Chengdu, No. 18 Extension Road off Shuangliulushan Avenue)&nbsp;<strong>Oct 27\u2013 Dec 27, 2013&nbsp;<\/strong>(Curator: Bao Dong)<\/p>\n\n\n\n<p>Roland Barthes once wrote: \u201cThe Photograph is an extended, loaded evidence\u2014as if it caricatured not the \ufb01gure of what it represents (quite the converse) but its very existence\u2026The Photograph then becomes a bizarre medium, a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest shared hallucination (on the one hand \u2018it is not there\u2019, on the other \u2018but it has indeed been\u2019): a mad image, chafed by reality\u201d (Camera Lucida: Reflections on Photography). The works in Chen Xiaoyun\u2019s current exhibition can be seen as the fragments remaining in the aftermath of the abrasive interplay, exchange, and compromise between Reality and the Photograph. If these fragments could once again be pieced together, the reality derived from this reconstruction would be no more than an unrealistic amalgamation of wishful thinking.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/12\/1-1.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/12\/1-1.jpg\" alt=\"\" class=\"wp-image-30985\" title=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Chen Xiaoyun, \u201cThe Night Already Past, the Little While We Last\u201d, single-channel video, 2 minutes, 2013<br>\u9648\u6653\u4e91\uff0c\u300a\u6211\u4eec\u6d3b\u8fc7\u7684\u5239\u90a3\uff0c\u524d\u540e\u90fd\u662f\u6697\u591c\u300b\uff0c\u5355\u8def\u89c6\u9891\uff0c2\u5206\u949f\uff0c2013<\/figcaption><\/figure>\n\n\n\n<p>The exhibition, which takes at least two hours to view, is made up of three part: completed videos, screen shots and film scraps taken during shoots, and photographic works. These works are full of presupposed metaphors and plays on perception: a man stands on a pine tree, arms flailing with a tree branch during a midnight storm (The Night Already Past, the Little While We Last, video, 2013); a young woman engages in a cathartic diatribe full of invectives and abuse in an otherwise empty shot (The Smelliest Part, 2013); a group of poor and disabled elderly street performers gathered in an auditorium playing a cacophonous and nearly unrecognizable version of the American national anthem on Chinese folk instruments (Love You, Big Boss, 2007); a group of migrant workers carrying their tools on their backs while marching down a road at night (Night \u2013 2.4KM, 2009). Works and meanings that once existed on separate dimensions are set in the same space, thus bringing forth a possible intersection of meaning. As images move across the mind\u2019s register\u2014 erotic, political, repulsive, or altogether dumbfounding\u2014art is bursting at the seams.<\/p>\n\n\n\n<p>However, Chen Xiaoyun remains vigilant about reality: \u201cI\u2019m afraid of turning criticism of reality into an attitude. It\u2019s very easy to criticize reality. So easy that criticism of reality can turn criticism itself into a commonplace or vulgarian pursuit. For example, if someone kept showing me something I abhored, I would eventually grow numb to it, and then one day, I wouldn\u2019t detest it anymore\u2026.\u201d (Chen Xiaoyun conversing with the author). Rather than asking the artist what he has expressed through his work, it is better to ask what he is yet to express. With the act of viewing under the assault of reality as well as an unactualized reality, with consciousness wrapped up and yet exposed by a confusing array of metaphors\u2014these limits and dimensions of tolerance make commentary on his work fraught with difficulty.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/12\/thumbnail-3.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/12\/thumbnail-3.jpg\" alt=\"\" class=\"wp-image-30974\" title=\"thumbnail (3)\"\/><\/a><figcaption class=\"wp-element-caption\">Chen Xiaoyun, \u201cThe Smelliest Part\u201d , single-channel video, 11 minutes 27 seconds, 2013<br>\u9648\u6653\u4e91,\u300a\u6700\u81ed\u7684\u90a3\u90e8\u5206\u300b\uff0c\u5355\u8def\u89c6\u9891\uff0c11\u5206\u949f27\u79d2\uff0c2013<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"314\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1486.png\" alt=\"\" class=\"wp-image-7820\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1486-300x141.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1486-150x71.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1486-500x236.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1486.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Chen Xiaoyun, \u201cLove you big boss\u201d, single-channel video, 4 minutes, 2007.<br>\u9648\u6653\u4e91,\u300a\u7231\u4f60\u5927\u8001\u677f\u300b\uff0c\u5355\u8def\u89c6\u9891\uff0c4\u5206\u949f\uff0c2007<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"386\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1488.png\" alt=\"\" class=\"wp-image-7826\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1488-300x174.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1488-150x87.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1488-500x290.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1488.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Chen Xiaoyun, \u201cNight\/2.4KM\u201d, single-channel video, 9 minutes 30 seconds, 2009<br>\u9648\u6653\u4e91\uff0c\u300a\u591c\/2.4\u516c\u91cc\u300b\uff0c\u5355\u8def\u89c6\u9891\uff0c9\u520630\u79d2\uff0c2009<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Cheng Xiaoyun Solo Exhibition: Hysteria  &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/hysteria-metaphorical-and-metonymical-life-world\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":7832,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[3953,3955,3952,3956,951,3954,3957,3958,61,3959,3960,3961,3022,3962,1819,3963,3964,233,3965,3966,3967],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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