{"id":8132,"date":"2013-05-04T09:47:00","date_gmt":"2013-05-04T09:47:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=8132"},"modified":"2022-12-22T10:01:09","modified_gmt":"2022-12-22T10:01:09","slug":"the-young-and-the-restless","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/the-young-and-the-restless\/","title":{"rendered":"The Young and the Restless"},"content":{"rendered":"\n

\u201cFollow 2013: Existence,<\/a>\u201d group exhibition with Chen Tianzhuo, Gao Mingyan, Liao Fei, Su Chang, Xiao Longhua, Zhang Yunyao, Andy Mo (Zhu Zi).<\/strong><\/p>\n\n\n\n

MoCA Shanghai <\/strong><\/a>(People\u2019s Park, 231 Nanjing Xi Lu, Shanghai). Feb 23 \u2013 Apr 21, 2013.<\/strong><\/p>\n\n\n\n

Wang Weiwei\u2019s latest curatorial effort with \u201cFollow 2013: Existence\u201d turns up some interesting new talents showing off irreverent attitudes and intriguing explorations of form.<\/p>\n\n\n\n

Wang, the curator at Shanghai\u2019s MoCA, has in the past distinguished herself with her intimate knowledge of the practices of China\u2019s young artists but also has the good taste to present their most interesting works. Her young artists exhibition series \u201cFollow\u201d which began in 2011 at MoCA has been very much worth following; her restraint in the number of artists \u2014 dictated by the space, of course \u2014 resulted in a show at a variance from sprawling exhibitions about \u201cyoung artists\u201d up north in Beijing (CAFAM, UCCA).<\/p>\n\n\n\n

\"\"<\/a>
Chen Tianzhuo, \u201cWomb Man,\u201d painted wood, height: 160 cm each, 2013 (courtesy: Rebecca Catching)<\/figcaption><\/figure>\n\n\n\n

Despite the lack of a strong thematic thread, the show nonetheless displayed some interesting individual oeuvres of China\u2019s up-and-coming artists. Definitely the most eye-catching work was Chen Tianzhuo\u2019s ode to mind-altering substances \u2014 a roundish shamanic-like hut in the center of the space, with black walls adorned with a variety of objects: masks, clothing, crude sculptures of monkeys standing on their hands balancing piles of organs on their feet, a giant rug, educational posters on how to smoke pot, a psychedelic fractal-like video and row of phallic-shaped hand-blown glass bongs \u2014 the \u201cyang\u201d counterpart to the \u201cyin\u201d \u2014 sculptures of women with their heads replaced by ovaries. The contents of Chen\u2019s freaky head shop are lit up by a blacklight which illuminates day-glow oranges, yellows and greens applied to the surface of the sculptures in a primitive fashion. Chen\u2019s work in general stands out for stylistic impudence. The work takes the devil-may-care and somewhat juvenile attitude of Double Fly and moves it in a more formalistic territory. But whereas Double Fly distills this \u201cJackass\u201d brand of humor into an oily essence to be consumed for pure pleasure, Chen\u2019s punk\/pot aesthetic is aiming to make a comment on spirituality. This strange primitive lair \/ voodoo shrine is a kind of stage in which to act out the rituals of \u201ca new modern religion\u201d \u2014 one based on mind expansion and sexual exploration.<\/p>\n\n\n\n

\"\"<\/a>
Chen Tianzhuo\u2019s installation at Moca (courtesy: Rebecca Catching)<\/figcaption><\/figure>\n\n\n\n

On the surface, the work doesn\u2019t really explore any intensely deep territory, but once the topic of religion is highlighted via the wall text, the work becomes more interesting. Chen\u2019s religion, though it has the props and trappings of other mainstream religions, seems to have few moral principles \u2014 which makes it look something more akin to cult \u2014 indeed it\u2019s a fine line.<\/p>\n\n\n\n

The other body of work which really stood out in this show was that of Gao Mingyan \u2014 a continuation of a train of thought he has been developing for a number of years with his \u201cRoom 404\u201d series where used books as his medium \u2014 turning them into sculptural objects. This new group of paintings and installations involves the alterations of everyday objects, fans, high-healed shoes and chairs. Perhaps most inspiring is the milk-crate\/sedan chair, book\/parachute and fan\/windmill. These works fall into a category of (for lack of a better word) \u201cwhimsical artwork\u201d \u2014 the kind of work which aims to entertain, to coax a little smile out the corner of the mouth of the viewer \u2014 something along the lines of \u201cCeci n\u2019est pas un pipe.\u201d<\/p>\n\n\n\n

\"\"<\/a>
Gao Mingyan, \u201cCrate Piano,\u201d installation (courtesy: Rebecca Catching)<\/figcaption><\/figure>\n\n\n\n

Yet as with Magritte, there is more than a punch line. There is also the beauty in finding creativity and imagination in the dreariness of the everyday. One can just imagine the artist in the environs of the used goods market full of beat-up old appliances and things, blaring pop music, people shouting and smoking and grasping these unwanted, unloved objects and transforming them into objects of wonder.<\/p>\n\n\n\n

(Sidenote: For more on Gao Mingyan, see \u201cExercises of Living,\u201d now on at Vanguard Gallery, which features a nice series of equally whimsical paintings on the theme of transforming objects and animals into useful machines.)<\/p>\n\n\n\n

Andy Mo also incorporates found objects into his work in \u201cThey Crossed, They Too, But He Didn\u2019t,\u201d which consisted of a sheet of glass studded with circles of rabbit fur, stone, metal and sponge. The effect is such that it looks like the rocks and pieces of metal gears are plunging through the glass with fissures of fur splintering out around them. At the same time the fur creates the odd effect of motion, as if these random objects are spiraling off into the cosmos.<\/p>\n\n\n\n

\"\"<\/a>
Andy Mo, \u201cThey crossed, they too, but he didn\u2019t.,\u201d metal, rabbit fur, stone, sponge, etc., 60 x 120 x 0.3 cm, three pieces (courtesy: Rebecca Catching)<\/figcaption><\/figure>\n\n\n\n

This motion effect is replicated in his drawing work, dense charcoal creations \u2014 line after line after line all arranged in a parallel formations \u2014 the cumulative effect of which creates the sleeping body of an elephant, a languid whale or a dense crop of mushrooms which seem to grow taller and taller by the minute. His subjects seem to have a way of being both dead and alive \u2014 contemporary and primordial at the same time \u2014 as if they straddle some kind of temporal chasm.<\/p>\n\n\n\n

Also producing some striking drawings was Zhang Yunyao, with his \u201cBlack\u201d series. Though the subject matter was somewhat mundane, the technique of charcoal on felt created a fantastic velvety texture which was quite entrancing on a formalistic level.<\/p>\n\n\n\n

\"\"<\/a>
Andy Mo, \u201cElephant,\u201d charcoal and pencil on paper, 210 x 150 cm, 2012 (courtesy: Rebecca Catching)<\/figcaption><\/figure>\n\n\n\n

In general it\u2019s safe to say that the overall strength of the show was on a level of form. No doubt they posses a great curiosity in terms of exploring the bounds of their mediums, but what the show lacked was a sharp and focused examination of ideas and issues. Form should have served as a vehicle for some sort of coherent message or idea but all to often it was just an end in itself.<\/p>\n\n\n\n

\"\"<\/a>
Liao Fei, \u201cInfinitely Close to Transparent,\u201d watercolor on paper, 53 x 42 cm, 18 pieces, 2013 (courtesy: Rebecca Catching)
<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

\u201cFollow 2013: Existence,\u201d group exhibiti … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":8136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[4486,4487,4488,4490,4489,2825,4491,272,4492,4493,4494,4495,4496,4497,4498,4499,3624,4500,4501,4502,4503,4504,1755,4505,4506,3022,4507,4508,4509,4510,4511,38,4513,4512,4514,4038,4515,4516,4517,4518,4519,4520,4521,4522,4523,880,4524],"yoast_head":"\nThe Young and the Restless - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/the-young-and-the-restless\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Young and the Restless - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cFollow 2013: Existence,\u201d group exhibiti … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/the-young-and-the-restless\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2013-05-04T09:47:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-22T10:01:09+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.randian.art\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-22-at-16.58.47-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"584\" \/>\n\t<meta property=\"og:image:height\" content=\"245\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Duyen Le\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Duyen Le\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/the-young-and-the-restless\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/the-young-and-the-restless\/\"},\"author\":{\"name\":\"Duyen Le\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13\"},\"headline\":\"The Young and the Restless\",\"datePublished\":\"2013-05-04T09:47:00+00:00\",\"dateModified\":\"2022-12-22T10:01:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/the-young-and-the-restless\/\"},\"wordCount\":1041,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"Andy Mo\",\"animals\",\"book\",\"chair\",\"charcoal\",\"Chen Tianzhuo\",\"cult\",\"Double Fly\",\"drawing work\",\"elephant\",\"Exercises of Living\",\"Existence\",\"fan\",\"Follow\",\"form\",\"Gao Mingyao\",\"Liao Fei\",\"MOCA\",\"mushrooms\",\"objects\",\"religion\",\"Room 404\",\"sculpture\",\"The Black\",\"Vanguard Gallery\",\"Video\",\"Wang Weiwei\",\"whale\",\"young artists\",\"Zhang Yunyao\",\"\u4e0a\u6d77\u5f53\u4ee3\u827a\u672f\u9986\",\"\u4e2d\u56fd\u5f53\u4ee3\u827a\u672f\",\"\u5b58\u5728\u2014\u2014+\u5173\u6ce8\u5e74\u8f7b\u827a\u672f\u5bb6\u7fa4\u5c552013\",\"\u5b97\u6559\",\"\u5c0f\u9f99\u82b1\",\"\u5e74\u8f7b\u827a\u672f\u5bb6\",\"\u5ed6\u6590\",\"\u5f20\u4e91\u579a\",\"\u5f62\u5f0f\",\"\u623f\u95f4404\",\"\u70ad\u7b14\u753b\",\"\u738b\u6170\u6170\",\"\u7af9\u5b50\",\"\u7cbe\u795e\u6027\",\"\u82cf\u7545\",\"\u9648\u5929\u707c\",\"\u9ad8\u94ed\u7814\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/the-young-and-the-restless\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/the-young-and-the-restless\/\",\"url\":\"http:\/\/www.randian.art\/the-young-and-the-restless\/\",\"name\":\"The Young and the Restless - 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