{"id":8238,"date":"2016-04-13T05:22:00","date_gmt":"2016-04-13T05:22:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=8238"},"modified":"2023-01-10T05:27:17","modified_gmt":"2023-01-10T05:27:17","slug":"can-you-tame-a-forest","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/can-you-tame-a-forest\/","title":{"rendered":"Can You Tame a Forest?"},"content":{"rendered":"\n<p><em>This review is included in Ran Dian\u2019s print magazine, issue 3 (Spring 2016)<\/em><\/p>\n\n\n\n<p><a href=\"http:\/\/www.randian-online.com\/np_event\/my-forest-has-no-name-by-donna-ong-at-fost-gallery-16-january-28-february-2016\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>\u201cMy Forest Has No Name\u201d \u2013 Donna Ong solo exhibition<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/www.randian-online.com\/np_space\/fost-gallery\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>FOST Gallery<\/strong>\u00a0<\/a>(1 Lock Road #01-02, Gillman Barracks Singapore 108932),\u00a0<strong>Jan 16 \u2013 Feb 28, 2016<\/strong><\/p>\n\n\n\n<p>Forests and jungles have been seen as anything from bastions of harmonious tranquility to wolf-haunted wastelands or tracts of resources to be cataloged and exploited. As a continuation of Donna Ong\u2019s 2014 work \u201cLetters from the Forest\u201d, that last perspective\u2014of the natural world as a thing to be subdued by intrepid colonialists\u2014assumes greater significance, but her latest solo exhibition, \u201cMy Forest Has No Name\u201d, is far from limited to that single perspective.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"308\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-8.png\" alt=\"\" class=\"wp-image-8239\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-8-300x175.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-8-150x88.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-8-500x292.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-8.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u738b\u7f8e\u6e05\uff0c\u300a\u543e\u6797\u83ab\u540d\uff08xxiii\uff09\u300b\uff0cdiasec\u5de5\u827a\u88c5\u88f1\uff0c35 \u00d7 60 cm\uff0c2016\uff08\u6444\u5f71\uff1a<br>Fotograffiti \uff3bJohn Yuen\uff3d, Eric Tschernow\u548cJason Lau\uff09\/ Donna Ong, \u201cMy Forest Has No Name (xxiii)\u201d, diasec print, 35 \u00d7 60 cm, 2016 (photography: \u00a9 Fotograffiti [John Yuen], Eric Tschernow and Jason Lau)<\/figcaption><\/figure>\n\n\n\n<p>The first impression upon entering the gallery is one of sensory saturation\u2014sheer, verdant overload. It is first and foremost a visual impression, but soon other senses begin to awaken; there\u2019s a hint of scent that hangs in the air of the gallery, though it is wholly lacking in vegetal or floral odors\u2014or indeed of anything living. The likely culprit is some accumulation of esters, phthalates, and other volatile organic compounds given off by the profusion of plastic plants that populate a sort of urban garden tableau.<\/p>\n\n\n\n<p>This luminous greenery is accented by gaudily painted animal figurines\u2014the sort that infest tourist-trap souvenir shops\u2014as well as wood and marble display stands that, as the curator Tony Godfrey notes in the exhibition\u2019s accompanying essay, are of unknown provenance. The question of whether they\u2019re cheap reproductions or valuable antiques is left open. Amid the deliberate luridness of \u201cFrom the Tropics with Love\u201d (2016) are set a number of tiny, delicately layered dioramas\u2014part of a group of works called Gift Series: Pluvia Silva (2016)\u2014featuring backlit scenes of the tropics as they might have been rendered by the likes of William Farquhar and other eighteenth-century gentleman-naturalists.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"308\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-9.png\" alt=\"\" class=\"wp-image-8242\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-9-300x175.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-9-150x88.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-9-500x292.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-9.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u738b\u7f8e\u6e05\uff0c\u300a\u543e\u6797\u83ab\u540d\uff08xxvi\uff09\u300b\uff0cdiasec\u5de5\u827a\u88c5\u88f1\uff0c35 \u00d7 60 cm\uff0c2016\uff08\u6444\u5f71\uff1a<br>Fotograffiti \uff3bJohn Yuen\uff3d, Eric Tschernow\u548cJason Lau\uff09\/ Donna Ong, \u201cMy Forest Has No Name (xxvi)\u201d, diasec print, 35 \u00d7 60 cm, 2016 (photography: \u00a9 Fotograffiti [John Yuen], Eric Tschernow and Jason Lau<\/figcaption><\/figure>\n\n\n\n<p><a href=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/Donna-ONG-My-Forest-Has-No-Name-xxvi-2016-Diasec-print-H35-x-W60-cm.-Photography-%C2%A9-Fotograffiti-John-Yuen-Eric-Tschernow-and-Jason-Lau1.jpg\"><\/a>The exhibition\u2019s eponymous photographic series, however, foregrounds another aspect of our complex and storied relationship with the natural world. Each photograph depicts a landscape that on cursory inspection appears natural, while at the same time being the product of human artifice (a case in point being the domed gardens of Singapore\u2019s billion-dollar \u201cnature park,\u201d Gardens by the Bay). With a theme that reaches back to the biblical book of Genesis and before, these somewhat Ballardian images suggest an impasse between us and nature\u2014that we love it in simulation as some artful appearance of wildness. Then again, perhaps such a distinction is moot in the Anthropocene.<\/p>\n\n\n\n<p>One final aspect of that same, tangled relationship unfolds in the exhibition\u2019s sanctum sanctorum, an aspect that perhaps seems related to Werner Herzog\u2019s observation in the 1982 documentary Burden of Dreams: \u201cIt\u2019s just\u2014nature here is vile and base. I wouldn\u2019t see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and . . . growing and . . . just rotting away.\u201d Entitled \u201cDeep Calls to Deep\u201d (2016), the work consists of a dimly lit room dominated by a glossy pit of glittering black sand and walls lined with white-on-black vinyl prints of extracts from various texts. These range from naturalists\u2019 memoirs to newspaper headlines addressing subjects of both benign interest and stomach-turning fascination: forest fires, mass graves, armies of slaves toiling in the Brazilian rainforest, Miss Peruvian Rainforest 2015, and so on. Sifting through the pit of black sand, one might find various oddments linked to these stories: a child\u2019s shoe, a plastic femur, cosmetics. It calls to mind both the implacable indifference of the forest and our relentless fascination with it.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"378\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-10.png\" alt=\"\" class=\"wp-image-8245\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-10-300x215.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-10-150x107.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-10-419x300.png 419w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-10.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201c\u543e\u6797\u83ab\u540d\u201d, \u5c55\u89c8\u573a\u666f, \u201cMy Forest Has No Name\u201d, exhibition view<\/figcaption><\/figure>\n\n\n\n<p>Taken on its own, \u201cDeep Calls to Deep\u201d seems somehow false, like an inflatable plastic model approximating some deeper structure; perhaps it is the heft of the plastic bone, or the specific texture of the sand between one\u2019s fingers. Within the context of the exhibition as a whole, though\u2014the plastic plants, the photographs of a constructed nature, and \u201cPostcards from the Tropics\u201d (2016), marrying schlocky souvenirs to images of tropical exploitation\u2014this artificiality does not come across as a mere lack of authenticity, but as something that exists in its own right.<\/p>\n\n\n\n<p>One may as well ask that \u201cFrom the Tropics with Love\u201d consist of living plants, antiques of ironclad provenance, and ethically sourced, fair-trade crafts. In addition to Ong\u2019s central theme of the forest and the bizarre fantasies and clich\u00e9s projected onto it, \u201cMy Forest Has No Name\u201d may also be taken as an examination of our anxieties about authenticity, the murky boundary between nature and artifice, and some agonistic relationship between the represented and the representation.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"265\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-11.png\" alt=\"\" class=\"wp-image-8248\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-11-300x151.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-11-150x75.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-11-500x251.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/01\/zh-hant\/image-11.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201c\u543e\u6797\u83ab\u540d\u201d, \u5c55\u89c8\u573a\u666f, \u201cMy Forest Has No Name\u201d, exhibition view<\/figcaption><\/figure>\n\n\n\n<p><a href=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/Installation-View-11.jpg\"><\/a><a href=\"http:\/\/www.jiathis.com\/share\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This review is included in Ran Dian\u2019s pr &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/can-you-tame-a-forest\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":8251,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[949,149,415,67,2704,95,4685,4686,4687,374,393,130,646,4688,458,210,460,230,421],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Can You Tame a Forest? 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