{"id":9526,"date":"2014-02-19T08:40:56","date_gmt":"2014-02-19T08:40:56","guid":{"rendered":"http:\/\/www.randian.art\/?p=9526"},"modified":"2023-02-22T08:50:25","modified_gmt":"2023-02-22T08:50:25","slug":"regarding-the-silent-majority-qa-with-yang-dongxue","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/regarding-the-silent-majority-qa-with-yang-dongxue\/","title":{"rendered":"Regarding The Silent Majority \u2013 Q&#038;A with Yang Dongxue"},"content":{"rendered":"\n<p>by \u4f5c\u8005\uff1aChris Moore \u58a8\u864e\u607a<br>translated by \u8bd1\uff1aFei Wu<\/p>\n\n\n\n<p>Yang Dongxue (b.1984) is one of a growing number of Chinese artists, including Wu Junyong, Sun Xun and Qiu Anxiong, who tell biting historical, social and political parables through wry and satirical drawing, caricature and graphic design. On the occasion of his first solo show, at Beijing\u2019s P\u00e9kin Fine Arts, randian \u71c3\u70b9 interviewed Yang about his exhibition.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-186.png\" alt=\"\" class=\"wp-image-9536\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-186-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-186-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-186-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-186.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Yang Dongxue, &#8220;Regarding The Silent Majority\u201d, Exhibition view, courtesy of P\u00e9kin Fine Arts, photographed by Kwan Sheung Chi\u00a0<br>\u6768\u51ac\u96ea\uff0c\u300a\u5173\u4e8e\u6c89\u9ed8\u7684\u5927\u591a\u6570\u300b\uff0c\u5c55\u89c8\u73b0\u573a\uff0c\u56fe\u7247\u7531\u5317\u4eac\u827a\u95e8\u63d0\u4f9b\uff0cKwan Sheung Chi\u62cd\u6444<\/figcaption><\/figure>\n\n\n\n<p><strong>Chris Moore:&nbsp;<\/strong><strong>What is your new exhibition at P\u00e9kin Fine Arts in Hong Kong about?<\/strong><\/p>\n\n\n\n<p><strong>Yang Dongxue<\/strong>: So sorry, but I need to correct that title. I made a mistake. The full title of this exhibition should be \u201cSemi-Functional Lost Fragments\/\u2018Regarding the Silent Majority\u2019\u201d.<\/p>\n\n\n\n<p>This show is about the realities we cannot or do not want to change; it\u2019s about the kind of \u201cdependency\u201d people develop for a terrible and unjust reality. Even more: a structural deficiency and disorder. I mean, there would be across-the-board unemployment for law enforcement personnel if there weren\u2019t any criminals in the world. That\u2019s why so many artists thrive on chaos.<\/p>\n\n\n\n<p><strong>CM: Your current show bears the same title as one of Wang Xiaobo\u2019s books. Could you elaborate on your choice of title?<\/strong><\/p>\n\n\n\n<p><strong>YDX<\/strong>: There\u2019s also a movie by the same name, by the way. The name was an intuitive choice rather than a carefully considered selection. These works express an attitude towards an immutable reality; it\u2019s an attitude the majority of people have. If you pay careful attention to my work, you\u2019ll notice they all involve the relationship between consciousness and materiality. Sex or politics aren\u2019t important to me. They\u2019re what I thought of within a specific time period, effective only under specific times and situations. My labor is what\u2019s important and what I emphasize. An artist\u2019s only value lies in his labor and product. Everyone has to live with politics, so there\u2019s no point in overthinking it. I can\u2019t solve those issues; at best, they\u2019re fodder for my work. I don\u2019t like setting parameters for imagination, because I\u2019d rather stitch together a patchwork of imagination through my audience. I don\u2019t want my work to stay put; I want it to open doors<\/p>\n\n\n\n<p><strong>CM: Why do you use watercolor?&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>YDX<\/strong>: The gallery commissioned them. They\u2019re easy to transport.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"510\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-183.png\" alt=\"\" class=\"wp-image-9527\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-183-300x232.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-183-150x116.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-183-388x300.png 388w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-183.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Yang Dongxue, \u201cRegarding The Silent Majority\u201d, Exhibition view, courtesy of P\u00e9kin Fine Arts, photographed by Kwan Sheung Chi\u00a0<br>\u6768\u51ac\u96ea\uff0c\u300a\u5173\u4e8e\u6c89\u9ed8\u7684\u5927\u591a\u6570\u300b\uff0c\u5c55\u89c8\u73b0\u573a\uff0c\u56fe\u7247\u7531\u5317\u4eac\u827a\u95e8\u63d0\u4f9b\uff0cKwan Sheung Chi\u62cd\u6444<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-184.png\" alt=\"\" class=\"wp-image-9530\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-184-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-184-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-184-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-184.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Yang Dongxue, \u201cRegarding The Silent Majority\u201d, Exhibition view, courtesy of P\u00e9kin Fine Arts, photographed by Kwan Sheung Chi\u00a0<br>\u6768\u51ac\u96ea\uff0c\u300a\u5173\u4e8e\u6c89\u9ed8\u7684\u5927\u591a\u6570\u300b\uff0c\u5c55\u89c8\u73b0\u573a\uff0c\u56fe\u7247\u7531\u5317\u4eac\u827a\u95e8\u63d0\u4f9b\uff0cKwan Sheung Chi\u62cd\u6444<\/figcaption><\/figure>\n\n\n\n<p><strong>CM: Some of your works involve abandoned equipment used in political rallies or sporting events, such as the movable grandstand in \u201cSemi-Functional Lost Fragments B\u201d (2013). Could you go into detail about your perspective on these works?<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>YDX<\/strong>: \u201cSemi-Functional Lost Fragments\u201d refers to the way how objects are consciously manipulated and processed. After objects are \u201cprocessed\u201d, the original ideas along with the forms outputted die inside this \u201ccreative process\u201d. I\u2019m fascinated with using certain moves to present the idea that I have never existed, or have existed unconsciously. More accurately, every single work I\u2019ve done since 2005 can be prefaced with the words \u201csemi-functional lost fragments\u201d. The moves I was talking about can only take effect under certain temporal, contextual, and spatial conditions. Without these constraints, I\u2019m just another face in the moving crowd\u2014merely a relatively happy slave.<\/p>\n\n\n\n<p>As for the different images denoted by the letters B, A, or F in the series are just visual cues I use to access a creative paradigm\u2014they\u2019re a means to a beginning or an end.<\/p>\n\n\n\n<p><strong>CM: The letters following each work in your \u201cSemi-Functional Lost Fragments\u201d series remind me of cards used in criminal investigations to classify evidence or cards used to help children learn the alphabet. Are you combining policing and pedagogy?<\/strong><\/p>\n\n\n\n<p><strong>YDX<\/strong>: My \u201cSemi-Functional Lost Fragments\u201d are playing tricks on you with these letters.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"990\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-187.png\" alt=\"\" class=\"wp-image-9539\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/p2JvWakU-image-187-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-187-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-187.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Yang Dongxue, &#8220;Regarding The Silent Majority\u201d, Exhibition view, courtesy of P\u00e9kin Fine Arts, photographed by Kwan Sheung Chi\u00a0<br>\u6768\u51ac\u96ea\uff0c\u300a\u5173\u4e8e\u6c89\u9ed8\u7684\u5927\u591a\u6570\u300b\uff0c\u5c55\u89c8\u73b0\u573a\uff0c\u56fe\u7247\u7531\u5317\u4eac\u827a\u95e8\u63d0\u4f9b\uff0cKwan Sheung Chi\u62cd\u6444<\/figcaption><\/figure>\n\n\n\n<p><strong>CM: Who is the officer riding a tortoise in [insert title]?<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;<\/strong><strong>YDX<\/strong>: I don\u2019t know. Whoever you consider him to be, though, I will believe that\u2019s what you considered.<\/p>\n\n\n\n<p><strong>CM: There\u2019s quite a bit of sexual content on show\u2014the questionably phallic cone stuck though a globe is one of the more innocuous examples. Are you drawing parallels between sex, politics, and freedom of expression, personally as well as generally?<\/strong><\/p>\n\n\n\n<p><strong>YDX<\/strong>: It\u2019s not as complicated as you\u2019re making it. Basically, I chose my materials intuitively, and followed my instincts in my construction of images. Then I hung the finished products on the wall.<\/p>\n\n\n\n<p><strong>CM: Speaking of sex and politics, are you influenced by artists like Wu Junyong and your contemporary Sun Xun?<\/strong><\/p>\n\n\n\n<p><strong>YDX<\/strong>: I haven\u2019t actually focused on these issues. I\u2019m not interested in just politics or just sex. Those topics are excessively broad; so broad they\u2019re not even issues anymore. They\u2019re also extremely complicated. Turning these problems into data is too much work. At most, I can only create a graphic story based on material and scenes relating to sex and politics. I don\u2019t know if artists like Wu Junyong and Sun Xun have affected me. I guess I\u2019ve learned from them. I take away things I lack from their work because they\u2019re artists worth learning from.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-188.png\" alt=\"\" class=\"wp-image-9542\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-188-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-188-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-188-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-188.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Discussion with Yang Dongxue, Meg Maggio, Simon Kirby and x during &#8220;Regarding The Silent Majority\u201d, courtesy of P\u00e9kin Fine Arts, photographed by Moses Ng\u00a0<br>\u6768\u51ac\u96ea\uff0c\u300a\u5173\u4e8e\u6c89\u9ed8\u7684\u5927\u591a\u6570\u300b\uff0c\u5c55\u89c8\u73b0\u573a\uff0c\u56fe\u7247\u7531\u5317\u4eac\u827a\u95e8\u63d0\u4f9b\uff0cMoses Ng \u62cd\u6444<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"990\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-185.png\" alt=\"\" class=\"wp-image-9533\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/IibjmFRT-image-185-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-185-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-185.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Yang Dongxue, \u201cRegarding The Silent Majority\u201d, Exhibition view, courtesy of P\u00e9kin Fine Arts, photographed by Kwan Sheung Chi\u00a0<br>\u6768\u51ac\u96ea\uff0c\u300a\u5173\u4e8e\u6c89\u9ed8\u7684\u5927\u591a\u6570\u300b\uff0c\u5c55\u89c8\u73b0\u573a\uff0c\u56fe\u7247\u7531\u5317\u4eac\u827a\u95e8\u63d0\u4f9b\uff0cKwan Sheung Chi\u62cd\u6444<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"990\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-189.png\" alt=\"\" class=\"wp-image-9545\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/oHtyBzlu-image-189-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-189-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-189.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Yang Dongxue, &#8220;Regarding The Silent Majority\u201d, Exhibition view, courtesy of P\u00e9kin Fine Arts, photographed by Kwan Sheung Chi\u00a0<br>\u6768\u51ac\u96ea\uff0c\u300a\u5173\u4e8e\u6c89\u9ed8\u7684\u5927\u591a\u6570\u300b\uff0c\u5c55\u89c8\u73b0\u573a\uff0c\u56fe\u7247\u7531\u5317\u4eac\u827a\u95e8\u63d0\u4f9b\uff0cKwan Sheung Ch i\u62cd\u6444<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-190.png\" alt=\"\" class=\"wp-image-9548\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-190-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-190-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-190-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-190.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Yang Dongxue, &#8220;Regarding The Silent Majority\u201d, Exhibition view, courtesy of P\u00e9kin Fine Arts, photographed by Kwan Sheung Chi\u00a0<br>\u6768\u51ac\u96ea\uff0c\u300a\u5173\u4e8e\u6c89\u9ed8\u7684\u5927\u591a\u6570\u300b\uff0c\u5c55\u89c8\u73b0\u573a\uff0c\u56fe\u7247\u7531\u5317\u4eac\u827a\u95e8\u63d0\u4f9b\uff0cKwan Sheung Chi\u62cd\u6444<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-191.png\" alt=\"\" class=\"wp-image-9551\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-191-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-191-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-191-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/02\/en\/image-191.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Yang Dongxue, &#8220;Regarding The Silent Majority\u201d, Exhibition view, courtesy of P\u00e9kin Fine Arts, photographed by Kwan Sheung Chi\u00a0<br>\u6768\u51ac\u96ea\uff0c\u300a\u5173\u4e8e\u6c89\u9ed8\u7684\u5927\u591a\u6570\u300b\uff0c\u5c55\u89c8\u73b0\u573a\uff0c\u56fe\u7247\u7531\u5317\u4eac\u827a\u95e8\u63d0\u4f9b\uff0cKwan Sheung Chi \u62cd\u6444<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>by \u4f5c\u8005\uff1aChris Moore \u58a8\u864e\u607atranslated by \u8bd1\uff1aFei &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/regarding-the-silent-majority-qa-with-yang-dongxue\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":9539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[67,88,35,5812,29,374,5809,5808,5810,210,230,5811],"yoast_head":"<!-- This site is optimized with 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